Released the day before Liam Lunson’s film of the same name, this 2-disc set offers music from three concerts that took place over 3 years in London, New York, and Toronto, curated by Joe Boyd. The film only covers the New York show, but the music here presents a much more expansive portrait of Kate McGarrigle’s legacy and influence in 34 tracks.
Hosted by her children, Martha & Rufus Wainwright, these performances are both a family album: Kate‘s sister Anna participates, as does her daughter Lily Lanken, and aunt Sloan Wainwright — and a star- studded tribute. Performers include Norah Jones, Emmylou Harris, Antony Hegarty, Justin Vivian Bond, Krystle Warren, Linda and Richard Thompson, Teddy Thompson, Jenni Muldaur, and Jimmy Fallon, performing either solo and/or in various… — AMG
320 kbps | 297 MB | UL | CL | MC
…combinations backed by three different ensembles comprised of crack musicians. Many of these performances showcase McGarrigle’s diverse, restless, and insightful songwriting, and how enduring her songs are. Highlights include a stirring “(Talk to Me) Of Mendocino” with Jones’ lead vocal backed by Martha and Rufus. Martha’s solo reading of “Matapedia” is sparsely orchestrated with only an acoustic guitar, violin and her vocal, which gets deep inside the grain of the lyric. Teddy Thompson’s offering of “Saratoga Summer Song,” sounds like it was written for him. Given Kate’s passing, Anna’s classic “Heart Like a Wheel,” sung by her, Harris, Warren, Martha, and Lanken, is searing. Hegarty delivers a devastating solo on “Go Leave,” and Harris and Jones offer a rousing version of “As Fast as My Feet Can Carry Me,” backed by a full country band. Martha’s and Rufus’ duet on “I Am a Diamond” opens disc two as a militant yet delicate personal anthem. The second version of “Go Leave” by Linda Thompson backed by Richard’s guitar, is doubly poignant given it’s performed by a divorced couple. Rufus’ and Hegarty’s performance of “I Cried for Us” is perhaps the most heartbreaking track on the entire set, while Peggy Seeger’s “Tell My Sister,” sung in a quavering voice, carries within it both vulnerability and empathy. The two biggest surprises here are in the closing sections on both discs. Kate McGarrigle herself appears via the wonders of technology on “Prosperina,” where her voice is accompanied by Sloan and Martha, and in “I Just Want to Make It Last,” a late home solo demo that addresses her mortality with wit, irony, and tenderness. For fans of the songwriter or the McGarrigle Sisters, this collection will offer moving testimony to Kate’s unique, quirky vision. It will also engender renewed feelings of loss at her passing. But more than anything, Sing Me The Songs… is a celebration, and is presented as such: informal, intimate, sometimes humorous, and always, even in its uneven moments, thoroughly engaging.